Art works -Selection-

作品ギャラリー・セレクション

舞曲 Music for a Dance
S6 (41.0x41.0cm)
2023

耀映 Glitter
S6 (41.0x41.0cm)
2023

玉響 Instant
S20 (72.7x72.7cm)
2022

舞曲 Music for a Dance
S50 (116.7x116.7cm)
2022

春霖二重奏 (Spring) / 星屑の旋律 (Summer)
(110.0x50.0cm)
2021

錦秋の舞曲 (Autumn) / みぞれ輪舞 (Winter)
(110.0x50.0cm)
2021

凛 ー白梅ー white plum blossoms
S10 (53.0x53.0cm)
2015

凛 ー紅梅ー red plum blossoms
S10 (53.0x53.0cm)
2018

aquatic dance
S8 (45.5x45.5cm)
2011

square garden
S8 (45.5x45.5cm)
2019

紅雨の舞 rain dance (colorful rain like flowers)
P50 (116.7x80.3cm)(部分)
2016

夜光幻想 noctilucence
120号変形 (193.0x120.0cm)(部分)
2017

翠緑の息吹 breath of verdant green
F8 (45.5x38.0cm)
2018

煌めきの刻 sparkled hours
P10 (53.0x41.0cm)(部分)
2020

-roots-樹影の幻想
107.5x170.0cm
2014

ふりそそぐ sunlight shining through leaves
F100 (162.2x130.3cm)
2012

そらに咲く blooming in the sky
F30 (91.0x72.7cm)
2013

silver moon
P6 (27.3x41.0cm)
2016

花筏 floral raft
P4 (21.2x33.3cm)
2019

竹の奏 echoes of bamboo forest
M8 (45.5x33.4cm)
2017

竹雪夜 snowy bamboo forest at night
F4 (24.3x33.3cm)(部分)
2017

白日夢 daydream
(部分)
2010

玉響 fleeting moment
P6 (41.0x27.3cm)(部分)
2019

春遊 enjoying spring
F6 (41.0x31.8cm)(部分)
2019

blooming lines
107.5x170.0cm
2011

画像の無断転載はご遠慮ください。

  
 ←Instagramで他の作品もご覧になれます。
    You can see other works on Instagram.


Cycle (環)
S40(100x100cm) ×5
2022
Seizan Gallery New York

向き合うたびに異なる表情を見せる水面は、心を映す鏡のようでもあり、即興的な音楽のようでもあります。
近年展開している波紋のシリーズでは、水を想起させる枯山水の世界観や金碧画の装飾性に着目しながら、抽象化して表現することで自然が内包する法則的な美を探求しています。
普遍的な水だからこそ境界を越えて誰もがそれぞれの感覚や解釈で柔軟に向き合うことのできるような画面を意識し、現代の様々な空間において新たな調和を生み出せるような作品を目指しています。


statement

My works focus thematically on the four seasons of Japan, particularly natural phenomena and forms, such as water and sky. Although these are figurative elements, the also contain abstract meaning, allowing an emotional interpretation through which I hope to communicate the aesthetic consciousness of Japan, along with a futuristic atmosphere.
While contemporary Nihonga has seen a growing diversity in materials, techniques, and expressions, I have tried to learn from the expressions of the form's pioneers, while also remaining conscious of the Japanese features which formed their back drop. I then aim to create works which will give birth to a new form of harmony when exhibited in contemporary architectural spaces.


  
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